
A status symbol, a political battleground, an emotional tool — humor is anything but a joke.
Everyone knows that the easiest way to kill a joke is to try to explain it. But we here at Vox love nothing more than to explain, and when it comes to what makes us laugh, there’s a lot to dig into beyond punchlines and bad puns. We decided to spend this month exploring what it means to be funny: what kind of power humor bestows or takes away, how it shapes and reflects who we are, and who gets to wield it in the first place.
We’ve got a (sometimes hilarious! definitely insightful!) lineup that ranges from a cover story on the scientific underpinnings of humor to a full-on taxonomy of millennial cringe, plus a look at the so-called humor gender gap and an examination of why neither the left nor the right is actually all that funny. Also, can jokes save a business? Can they save you?
Go on, dive in, have a laugh or two. Just remember: It’s important to take humor seriously, whether you LOL, LMAO, ROFL, or hehehe.
—Julia Rubin (Editorial Director, Culture & Features)
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The very serious science of humor
How studying what tickles our funny bone can help explain who we are.
By Allie Volpe
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Toward a unified theory of “millennial cringe”
Remember when “epic bacon” was the height of comedy?
By Rebecca Jennings
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Is the right winning the comedy wars? (Coming Tuesday)
Why liberals and conservatives don’t get each other’s jokes.
By Constance Grady
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Why do people still think women aren’t funny? (Coming Tuesday)
The world doesn’t make it easy for us to crack a joke.
By Aubrey Hirsch
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Meme stocks and the limits of being in on the joke (Coming Wednesday)
Did meme status save GameStop and AMC, or did it turn them into zombies?
By Emily Stewart
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When humor becomes armor (Coming Wednesday)
Comedian Ashley Ray on grief, theater camp, and learning to make herself laugh first.
By Ashley Ray
CREDITS
Editors: Melinda Fakuade, Meredith Haggerty, Alanna Okun, Lavanya Ramanathan, Julia Rubin
Copy editors: Kim Eggleston, Elizabeth Crane, Caitlin PenzeyMoog, Tanya Pai
Art direction: Dion Lee
Audience: Gabriela Fernandez, Shira Tarlo, Agnes Mazur, Mary Perkins
Production/project editors: Susannah Locke, Nathan Hall
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